(NYTimes) - “Migrant Mother,” Dorothea Lange’s image of a weathered, grimy Depression-era woman in California surrounded by her children, is one of the most famous photographs of the 20th century, as is “Fleeing a Dust Storm,” Arthur Rothstein’s shot of a farmer and his two young sons in the Oklahoma Dust Bowl whipped by the wind, a shack in the background.
The politics and the photographers who shaped those images under the auspices of the federal Farm Security Administration come to life in “Documenting the Face of America: Roy Stryker and the F.S.A./O.W.I. Photographers,” an hourlong documentary on most PBS stations Monday night.
The film shows how Mr. Stryker turned a small government agency’s New Deal project to document poverty into a visual anthology of thousands of images of American life in the 1930s and early ’40s that helped shape modern documentary photography; more than 160,000 are now at the Library of Congress. Continued
Aug 18, 2008
Recalling a Mission to Capture an Era’s Misery
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