(Smithsonian) - John White wasn't the most exacting painter that 16th-century England had to offer, or so his watercolors of the New World suggest. His diamondback terrapin has six toes instead of five; one of his native women, the wife of a powerful chief, has two right feet; his study of a scorpion looks cramped and rushed. In historical context, though, these quibbles seem unimportant: no Englishman had ever painted America before. White was burdened with unveiling a whole new realm. Continued
Dec 19, 2008
Sketching the Earliest Views of the New World
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