Thomas Chambers: Setting Full Sail Toward the 20th Century

(NYTimes) His images are like chorus lines singing and dancing their hearts out, ever so slightly off-key and out of step. Every part contributes vocally and vigorously to the whole. The trilling patterns of ocean waves, rounded trees or riverside hedgerows; the sharp-edged mountains and shorelines, overemphatic clouds, glossy rivers and almost lurid sunsets — they all lock arms, and do a little more than their bit. The slight awkwardness amplifies. You see them perform and you see their performance, gaining a greater understanding of the visual appetite by having it thoroughly satisfied. Continued

Photo: libbyrosof